മലയാളത്തിന്റെ മാണിക്യം

Mohanlal Viswanathan Nair (born May 21, 1960), is a four time National award winning Indian actor, producer, who works in Malayalam films, a part of Indian Cinema. He is one of the most popular actors in the Indian state of Kerala. He is noted for his versatility, effortless acting, unique body language and for his association with some of the best Malayalam directors and screenwriters. He was awarded the Padma Shri, one of the highest civilian honours in India, by the Indian Government in 2001. Mohanlal became immensely popular in Kerala during the mid 80's in light hearted roles with his easy and natural acting style. The late 80's and the early 90's, known as the Golden Age of Malayalam cinema, produced some of the most creative and diverse Malayalam movies and enabled Mohanlal establish himself as one of the most talented actors in the country. He is critically acclaimed for his ability to get into the character's skin and portray their inner feelings and turmoils within a limited time-frame. Early life (1960-1980) Mohanlal was born in Elanthur in Pathanamthitta district of Kerala State (India), to father Vishwanathan Nair, an advocate, and mother Santhakumari and later shifted to Mudavanmugal in Thiruvananthapuram. He attended the local school in Mudavanmugal and later enrolled into the Model School, Thiruvananthapuram(Trivandrum). An average student at school, he started his association with the world of acting very early, when he used to participate in school-plays. In the sixth grade, young Mohanlal was chosen the best actor in school, an award that was usually bagged by tenth graders. After schooling, he went to Mahatma Gandhi College, Thiruvananthapuram for his Bachelor's in Commerce, but failed to complete it. During this time he continued to act in college productions and won best actor awards. He made friends with a group of fellow-students, who were passionate about theatre and feature films. They were instrumental in getting him his first breakthrough and some of them, notably Priyadarshan and Raju, went on to become popular movie directors and actors. Early years (1980-1985) His introduction to movies was automatic, when his friends combined to establish a movie company, Bharath Cine Group and began shooting a film titled Thiranottam. Mohanlal was given a small comic role. The film ran into trouble with the Censor Board and was never released. His first breakthrough came in 1980, at the age of 20, when a Malayalam production house Navodaya wanted to make a film with new artistes in leading roles. Mohanlal's friends sent his photographs to Navodya productions. He was auditioned and selected for the role of Narendran, the antagonist, in Manjil Virinja Pookkal. He had no dearth of opportunities after this and he played roles of gradually increasing importance in a number of movies in the following years. In the year 1983, he is credited in more than 25 feature films. Uyarangalil, a story of cheating and deception, written by noted script-writer M.T.Vasudevan Nairand directed by I.V.Sasi was a highlight of this period of his career. He then expanded into comic roles in his director-friend and college mate Priyadarshan's debut Poochakkoru Mookkuthi. Golden Period (1986-1995)   Mohanlal in his National Award winning role as Sethumadhavan in Kireedam(1989 film) Malayalam cinema was entering its golden age at this time with films characterised by detailed screenplays, lucid narration and fresh ideas that narrowed the gap between art cinema and commercial cinema. As a young talent on the rise, Mohanlal obtained roles that gave him ample scope to display a wide range of emotions and started some very fruitful associations with some of the best directors and writers in Malayalam cinema. The year 1986 was one of his best years. Sathyan Anthikad's T.P.Balagopalan M.A got him the first Kerala State award for best actor. His role of a underworld don in Rajavinte Makan saw the emergence of Mohanlal as one of the two leading stars in Malayalam cinema along with the other popular Malayalam actor, Mammootty. In the same year, he played an asylum inmate in Thalavattom, a harassed house-owner in Sanmanassu Ullavarku Samadhanam, a journalist in M.T.Vasudevan Nair's Panchagni, a farm owner in love in Namukku Parkkan Munthiri Thoppukal and a Nepali Goorkha in Gandhi Nagar 2nd street. His association with the writer-director combination of Sreenivasan and Sathyan Anthikkad, who excelled in making socially hard-hitting satires, resulted in films such as Varavelpu, in which he played a Gulf returnee who is welcomed back home to greedy relatives and a state with a hostile climate for entrepreneurs. Director Priyadarshan's musical comedies, notably Chithram had him playing the typical Indian romantic hero and increased his popularity among the teenage movie-goers.   Mohanlal portrayed a real-life character in Devasuram (1993)directed by I.V.Sasi and the film went on to become a hit and a cult classic At his peak, he portrayed some of the best author backed roles in Malayalam cinema in movies written by Padmarajan and M.T. Vasudevan Nair. Thoovanathumbikal in which he portrayed a person torn between his twin love interests, broke many stereotypes in Indian films such as the leading man falling in love with a second woman immediately after he is rejected by the first. Amrithamgamaya was about a man who ends up at the house of a boy whom he had unknowingly killed in college during a ragging session. The combination of writer Lohithadas and director Sibi Malayil is considered to have produced some of his most haunting roles. His role of Sethu Madhavan, who dreams of becoming a police officer but ends up as a criminal in the film Kireedam became a classic tragedy in Indian cinema. It got him the Special Jury award at the annual National awards. Another role of a classical singer who is burdened by the jealousy and final death of his singer brother in Bharatham helped him bag the Best actor award at the same awards next year.   Mohanlal in Manichithrathazhu (1993) sharing screen space with Suresh Gopi The 90s saw him continuing his success with more entertainers like His Highness Abdullah, where he played a Muslim disguised as a Nambodiri brahmin to assassinate a king. His other notable commercial movies during this period such as Midhunam, Minnaram, Thenmavin kombath continued the tradition of the 80s with neat well-written scripts and a rich set of characters. Devasuram, written by Ranjith and directed by I.V.Sasi was particularly noted for Mohanlal's portrayal of a proud, rich and brash young man who is slowly humbled by a chain of events. Director Bhadran's Sphadikam became a cult classic for the revolutionary way in which the stunts were picturised. Critically acclaimed films were fewer in number during this time and were mostly semi-entertainers like Manichitrathazhu, which had the female lead Shobhana bagging a National award for best actor. Later years (1996-Present) During the later period of his career, film makers cashed in on the immense popularity that Mohanlal enjoyed in Kerala by portraying him as an invincible larger-than-life hero in movies. Movies like Aaram Thamburan, Ustad, Narasimham, Praja, Naran used his superstar image. After their initial novelty, these films faced criticism from most quarters over their lack of realism and for creating movies around Mohanlal. Priyadarshan's Kalapani, an account of India's freedom struggle against the British that focussed on the Cellular prisons of Andaman islands and Lohithadas's Kanmadam were some of his notable films during the late 90's.   Aishwarya Rai debuted in Iruvar with Mohanlal It was at this time that Mohanlal started getting noticed outside the Malayalam speaking world. He acted in his first non-Malayalam movie when popular director Mani Ratnam roped him in for the Tamil film Iruvar. It had Mohanlal playing MGR, a cult figure of the neighbouring Indian state of Tamil Nadu. The Indo-French production, Vaanaprastham, in which he played the role of a Kathakali dance artist with an identity crisis, won him the second National award for Best actor and was the first film that got him international recognition. The film was selected for the competitive section at the Cannes film festival and his performance was critically acclaimed. In 2002, Mohanlal acted in his first Bollywood movie, Company, which introduced him to the wider Hindi speaking audience in India. In 2006, the critically acclaimed Malayalam movie, Thanmathra (translated as molecule), won him the Kerala state award for best actor for portraying a person affected by Alzheimer's disease. His second Bollywood movie Ram Gopal Varma Ki Aag, which is the remake of the 1975 blockbuster movie Sholay was released in August 2007. Many see this movie as a forgettable episode to Mohanlal's illustrious career, in which he appears strained and struggles with his Hindi dialogues. He did the role of Inspector Narasimha, which was portrayed by Sanjeev Kumar in the Original Movie.       Popularity   Mohanlal in Chithram, which made him immensley popular in Kerala A number of factors combined to make Mohanlal immensely popular in Kerala. The kind of roles that he enacted, his easy natural way of acting and chubby innocent looks endeared him to the public and he came to be considered as just another member in many Keralite households. This was reflected in his being widely popular and affectionately called as "Lalu" or "Lalettan". But, like other Malayalam films during this period, Mohanlal's movies, though strong in story, screenplay and direction, were low budget movies that were not intended to be viewed outside Kerala. The content was highly local and the movies had relatively weak production values when compared to the other popular Indian movies with the result that Mohanlal and many of his films were not known to the ordinary people outside Kerala or the Malayalam speaking world Theatre   Mohanlal Like most other Indian stars, Mohanlal's acting career does not have a theatre background. However he has acted in a few plays.. He debuted on the stage as Karna (a character in the Indian epic Mahabharata) in Karnabharam, a Sanskrit play that was premiered in New Delhi as part of the National Theatre Festival. The play depicts Karna's mental agony a day before the Kurukshetra war, when he thinks about his past and his faith[citation needed]. Kadhayattam, was a presentation enacted by Mohan Lal, depicting 10 unforgettable characters and situations selected from Malayalam literature. He has said that it is his offering to his mother tongue. The presentation is a fusion of stage acting, movie expression, sound and lighting techniques and music, conceived by film director T.K. Rajeev Kumar Attitude towards career Mohanlal comes across as a remarkably laidback and philosophical person in his interviews. He chooses his movies and plays largely based on instinct and likes to let things happen.   " Nothing was planned in my life. It just happened. "   " Somebody is helping me from somewhere. Somebody has planned things for me. Some power is looking after me. "   " No, I had no strong ambition to act in films. Only those who had this burning desire to act in films, and who had to struggle hard to get a break in films would have experiences to recollect. My life wasn't like that at all. " He prefers and enjoys working in the Malayalam industry with a close group of people whom he has known from his early career. Many of his best school-college mates are with him in the film industry. These include director Priyadarshan, singer M. G. Sreekumar, actor Raju and producer Suresh Kumar.   " We are all still a part of the industry; still the same. All of us grew together. Even now, when we are shooting a film, we feel we are still the same college students! We still enjoy when we shoot a film. It is like a picnic for all of us, even now. " He is uncomfortable working in other languages and attributes it to his lack of command over the intricacies of those languages.   School of acting   Error! Filename not specified. Mohanlal in his 2007 blockbuster comedy film Hallo. It breaks all the collection records of Malayalam films within 40 days. Mohanlal is not known to plan or prepare extensively for his roles and is not considered a method actor. Director Priyadarshan's words about Mohanlal summarize his acting style "He never prepares for any role or scene. He is not bothered how he looks or what he does. Once the camera is on, he is a transformed person. As he does only one film at a time, he knows everything about the film, nothing more." He also recollects what ManiRatnam told him about Mohanlal "Hereafter, I will never work with a man of whom I am a fan. I often forgot to say 'Cut' in Iruvar." Many of his directors agree that he is a spontaneous actor who has the ability to express and convey what the director wants, very fast and convincingly and is able to brilliantly portray inner feelings and turmoils of the characters that he plays. We would certainly appreciate his ability to handle different roles. Does not matter if its comedy or charecter role. Anything and everything is possible if lalettan is infront of the camera.   Criticisms In 2007 he faced criticism from prohibition activists in Kerala for appearing in advertisements that were against the spirit of an Indian law which bans direct liquor advertisements . Brewers used different methods to get around the ban, sometimes promoting non-alcoholic drinks with near-identical labels to the alcoholic ones. We would certainly appreciate his ability to handle different roles. Does not matter if its comedy or charecter role. Anything and everything is possible if lalettan is infront of the camera. Jaison Personal life He is an avid collector of paintings and antiques and has a private art gallery at his home. He married Suchitra, daughter of veteran Tamil actor-producer K. Balaji, on 28 April 1988. He has two children Pranav and Vismaya. He is currently settled in Chennai. Both his father Viswanathan Nair and brother PyareLal have expired.   Mohanlal Through Ages Baby Lalu Mohanlal, the silent boy The boy with his family Lal, the teen Teenage Lal with his family Lal, the hippy The young gun The star wedding With his wife, Suchithra Lal with his wife and children   Awards and achievements Mohanlal was awarded the Padma Shri by the Indian Government in 2001. He was recently elected as the Most Popular Keralite by the survey conducted by CNN - IBN related to the Silver Jubilee of Kerala formation in 2006. National Film Awards 1989 Jury's Special Mention - Kireedam 1991 Best Actor - Bharatham 1999 Best Actor - Vaanaprastham 1999 Best Film ( Producer ) - Vaanaprastham Kerala State Film Awards 1986 Best Actor - T .P. Balagopalan M.A. 1988 Actor (Special Award) - Padha Mudhra, Chitram, Utsavappittennu, Aryan and Vellanakalude Nadu 1991 Best Actor - Ulladakkam, Kilukkam, Abhimanyu 1991 Best Second Film - Bharatham (Producer) 1995 Best Actor - Kalapani, Spadikam 1995 Best Second Film - Kalapani (Producer) 1999 Best Actor - Vaanaprastham 2005 Best Actor - Thanmatra International Indian Film Academy Awards (IIFA) 2002 Best supporting Actor - Company Other awards Star Screen Awards of Bollywood 2002 Best supporting Actor - Company Film Fare Awards 1986 Sanmasullavarkku Samadhaanam 1988 Padamudra 1993 Devasuram 1994 Pavitram 1995 Sphadikam 1999 Vaanaprastham 2005 Thanmathra Asianet Film Awards   Mohanlal in Shaji Kailas's Aaraam Thampuran 1999 Vanaprastham 2000 Narasimham (Best Film Producer) 2003 Balettan 2005 Thanmathra, Udayananu Tharam 2006 Kirtichakra......... Vanitha - Manorama Film Awards 2003 Balettan (Started) 2005 Thanmathra, Kerala Film Audience Council Award   His role as a singer who had to conceal his elder brother's death in Bharatham (1991) won Mohanlal his first National Film Award for Best Actor 2003 Balettan 2004 Vismayathumbathu, Mambazhakkalam 2005 Thanmathra Other awards 1988 Critics Award (Chitram and Padamadura) 1991 Critics Award (Bharatam and Ulladakkam) 1999 Prem Nazeer Award 1999 Mathrubhumi-Medimix Award 1999 Critics Award (Vanaprastham) 2000 Mother Teresa Award 2000 M. G. Soman Award 2001 Natana Ratna Award - Film Critics 2001 First Most Popular Actor Award 2002 Film Express Award (Karnataka State Government) 2003 Chalachitra Ratna Award 2003 Mathrubhumi-Medimix Award 2003 Indian Medical Association Award 2005 Kala Keralam Award 2005 J. C. Foundation Award 2005 National Film Academy Award 2005 Popular Star Film Critics Award 2006 Amritha best actor 2006 Jeevan TV best actor   -

അമ്മ

Do you know?
 
a human body can bear only upto 45 Del (unit) of pain.


But at the time of giving birth, a woman feels upto 57 Del of Pain.
 
This is similar to 20 bones getting fractured at a time!!!!
 
LOVE UR MOM...

എന്‍റെ  ഇമെയില്‍-ല്‍ വന്ന ഒരു മെയില്‍ -ല്‍ ഉണ്ടായിരുന്ന വാചകങ്ങള്‍ ആണ് ഇത് .

ഈ ലോകത്തില്‍ ഏറ്റവും വലിയ വേദനകള്‍ സഹിക്കുന്നത്  അമ്മയായിരിക്കാം .അതാണല്ലോ മക്കളും അമ്മയും  തമ്മില്‍  വളരെ ധ്രിടമായ ഒരു ബന്ധം ഉണ്ടാകുന്നതും .

അമ്മ  എത്ര മനോഹരമായ പദം ,ആ വാക്കില്‍ സ്നേഹത്തിന്റെ ഒരു കടല്‍ തന്നെ ഉണ്ട് .പല പെണ്‍കുട്ടികളും അമ്മ ആയി കഴിയുമ്പോള്‍ സ്വഭാവത്തില്‍ തന്നെ വളരെ മാറ്റങ്ങള്‍ വരുന്നു ,എന്‍റെ പ്രിയ സുഹൃത്തിന്റെ മാറ്റങ്ങള്‍ ഞാന്‍ ഇപ്പോള്‍ നേരിട്ട് മനസിലാക്കുന്നുണ്ട്‌ ,അവള്‍ എത്ര കരുതലോടെ ആണ് അവളുടെ മകളെ നോക്കുന്നത് ,ചില സമയം അവളുടെ പറച്ചിലുകള്‍ കേട്ടാല്‍ ലോകത്തെ ആദ്യത്തെ അമ്മ അവളാനെന്നു തോന്നും,കാക്കക്കും താന്‍ കുഞ്ഞു പൊന്‍ കുഞ്ഞു എന്നല്ലേ ,മക്കളെ ഇത്രയും സ്നേഹിക്കുന്നത് കൊണ്ടാകാം മക്കളും അമ്മ യെ ഇത്രയും സ്നേഹിക്കുന്നതും,വിശ്വസിക്കുന്നതും ,

പക്ഷെ എനിക്ക് എന്‍റെ അമ്മയോട് അത്രക്കൊന്നും മാനസിക അടുപ്പം തോന്നിയിട്ടില്ല ,(എന്നെ പോലത്തെ ഒരുപാടു പേരെ എനിക്കറിയാം)

എന്‍റെ ഒന്നര വയസില്‍ അമ്മ എന്നെ അമ്മാമ്മ  യുടെ  അടുത്ത് ആക്കി,അമ്മാമ്മ  ആണ്  എന്നെ വളര്‍ത്തിയത്‌ ,അത് കൊണ്ടാകാം എനിക്ക് അമ്മയോട്  വളരെ അടുപ്പം തോന്നാത്തത്,അതുകൊണ്ടാകാം  അമ്മയാകാന്‍ കഴിയാത്തതില്‍ എനിക്ക് ദുഖവും ഇല്ലാത്തതു ,എന്‍റെ അമ്മക്ക് ഞങ്ങള്‍ നാലു മക്കള്‍ക്കും തുല്യ സ്നേഹം കൊടുക്കാന്‍ കഴിഞ്ഞിട്ടുണ്ട് എന്നു എനിക്ക് തോന്നിയിട്ടില്ല ,പലപ്പോഴും എനിക്ക് മനസിലാക്കാന്‍ കഴിഞ്ഞിട്ടുള്ളത് ,കുഞ്ഞുങ്ങള്‍ ഉണ്ടായിപോയത്  കൊണ്ട് വളര്‍ത്തുന്നു എന്നാണ് ,പണ്ട് എല്ലാരും എന്നോട് പറയുമായിരുന്നു ,നിന്നെ പ്രസവിച്ചതല്ല ,തവിട് കൊടുത്തു ആരില്‍ നിന്നോ വാങ്ങിയതാണെന്ന് ,അന്നേ എന്‍റെ കുഞ്ഞു മനസ്സില്‍ അത് വേദന ഉണ്ടാക്കിയിരുന്നു ,അന്ന് പ്രസവത്തെ കുറിച്ചൊന്നും അറിയാത്ത പ്രായം ആണല്ലോ ,

ഇപ്പോള്‍ എനിക്ക്  ചിലപ്പോളൊക്കെ തോന്നാറുണ്ട്,ഒരമ്മക്കും അവള്‍ നൊന്തു പ്രസവിച്ച മക്കളെ സ്നേഹിക്കാതിരിക്കാന്‍ കഴിയില്ല ,എന്‍റെ അമ്മയും എന്നെ സ്നേഹിചിരുന്നിരിക്കാം ,പക്ഷെ ഞങ്ങളുടെ കുടുംബ അന്തരീക്ഷത്തില്‍  അതൊന്നും പുറത്തു കാണിക്കാന്‍ ഉള്ള മാനസിക അവസ്ഥ അമ്മക്ക്  ഇല്ലായിരുന്നിരിക്കാം ,

മുന്‍പ് ഞാന്‍ ഒരു കവിത എഴുതിയിരുന്നു ,അമ്മ എന്ന പേരില്‍ ,അതില്‍ അമ്മയെ സ്നേഹമില്ലാത്ത ഒരു വ്യക്തി ആയിട്ടാണ്  ചിത്രീകരിച്ചിരിക്കുന്നത് , ഇപ്പോള്‍ ഞാന്‍ ആ കവിത പുറത്തു കാണിക്കാറില്ല കാരണം ഒരു കുടുംബം നയിക്കുന്നതിന്റെ വിഷമം എനിക്കിപ്പോള്‍ അറിയാം ,അമ്മയുടെ സ്നേഹം സത്യമാണെന്ന് വല്ലപോലും എനിക്ക് വരുന്ന ഫോണ്‍  കാള്‍-ല്‍  നിന്നും ഇപ്പോള്‍ എനിക്ക് മനസിലാക്കാന്‍ പറ്റുന്നുണ്ട് ,എനിക്ക് അമ്മയെ സ്നേഹിക്കാന്‍  കഴിയുമോ എന്നെനിക്കു അറിയില്ല,അല്ലെങ്കിലും ഞാന്‍ അമ്മയില്‍ നിന്നും എത്രയോ കാതം അകലെ ആണ് ,മനസ് കൊണ്ട്,

ഞാന്‍ എന്‍റെ അമ്മാമ്മ യെ ആണ് അമ്മ എന്നി വിളിച്ചിരുന്നത്‌,അമ്മയെ അമ്മയുടെ പേര് ചേര്‍ത്ത് അമ്മ എന്നും വിളിച്ചിരുന്നു,അന്നൊക്കെ മാസത്തില്‍ ഒരിക്കല്‍ എന്നെ കാണാന്‍ വരുന്ന വ്യക്തി എന്നതില്‍ അപ്പുറം അമ്മ എന്ന വാക്കിന് എന്‍റെ ജീവിതത്തില്‍ ഒരു പ്രസക്തിയും ഉണ്ടായിരുന്നില്ല ,കുറെ മുതിര്‍ന്നപ്പോള്‍  അമ്മയോടും,അച്ഛനോടും സഹോദരങ്ങള്‍  ക്കും  ഒപ്പം താമസിക്കേണ്ടി വന്നത് എന്നെ സംബന്തിച്ചു ജയില്‍-ല്‍ കിടക്കുന്ന അനുഭവം ആയിരുന്നു ,എനിക്കിഷ്ട്ടമല്ലാത്ത കുടുംബ അന്തരീക്ഷം,എനിക്ക് ഒരിക്കലും സ്നേഹം തോന്നിയിട്ടില്ലാത്ത ആളുകള്‍ ,പട്ടാള ചിട്ടയോടെ ഉള്ള ആ ജീവിതം ഞാന്‍ വെറുത്തിരുന്നു,എന്‍റെ കുഞ്ഞു  മനസ്  അന്നേ ഒരുപാടു  കരഞ്ഞിരുന്നു  ,പിന്നെ ആ സാഹചര്യത്തില്‍ ,വേറെ നിവര്‍ത്തി ഇല്ലാത്തതു കൊണ്ട് ജീവിക്കുക ആയിരുന്നു ,

മുതിര്‍ന്നപ്പോള്‍ അനുജത്തിക്ക് അമ്മ തലമുടി ഒക്കെ ചീകി കെട്ടികൊടുക്കുന്നത് കാണുമ്പൊള്‍ കൊതി വരുമായിരുന്നു ,പക്ഷെ ഒരിക്കലും എന്‍റെ തലമുടി ചീകി കെട്ടാന്‍ അമ്മ മിനക്കെട്ടിരുന്നില്ല ,അതിന്റെ കാരണം എനിക്കറിയില്ല, അനുജത്തിക്ക് പഠിക്കാന്‍ പോകുന്നതിനു മുന്നേ ചോറൊക്കെ വെച്ചു പാത്രത്തില്‍ ആക്കി കൊടുക്കും,എനിക്കൊരിക്കലും അമ്മ ചോറ് കെട്ടി തന്നിട്ടില്ല ,രാവിലത്തെ പലഹാരങ്ങള്‍ എല്ലാര്ക്കും ഉള്ളത് അമ്മ ഉണ്ടാക്കി കൊടുക്കും,പക്ഷെ പല ദിവസങ്ങളിലും എനിക്കുള്ളത് ഞാന്‍ ഉണ്ടാക്കി കഴിക്കാന്‍ പറയും,എന്താണ് അങ്ങനെ ഒരു വേര്‍തിരിവ് അമ്മ എന്നോട് കാണിച്ചിരുന്നത്?ഞാന്‍ അന്നേ ഒരു നിക്ഷേദി കുട്ടി ആയിരുന്നത് കൊണ്ടാണോ?തെറ്റ് കണ്ടാല്‍ തെറ്റാണു എന്നു പറയാന്‍ അന്നേ ഞാന്‍ ശീലിച്ചിരുന്നു ,ഞാന്‍ തര്‍ക്കുതരക്കാരി ആണ് എന്നു അമ്മ  എപ്പോഴും പറയുമായിരുന്നു , ഒരിക്കല്‍ എന്തോ തര്‍ക്കുത്തരം പറഞ്ഞതിന്   എന്‍റെ മുഖം അമ്മ പിച്ചി എടുത്തു,പിറ്റേന്ന് മുഖത്ത് വലിയ പാടുമായി കോളേജ്-ല്‍ പോയപ്പോള്‍ എല്ലാരും ചോതിച്ചു എന്ത് പറ്റി എന്നു ,മറിഞ്ഞു വീണപ്പോള്‍ കമ്പ് കൊണ്ട് എന്നു പറഞ്ഞു അന്ന് രക്ഷപെട്ടു ,അമ്മമാര്‍ക്ക് എങ്ങനെ കഴിയുന്നു ഒരു പെണ്‍കുട്ടിയുടെ മുഖം പിച്ചി വികൃതമാക്കാന്‍ ,ഒരിക്കല്‍ ഞാന്‍ അമ്മയോട് തുറന്നു പറഞ്ഞു ,എന്നോട് ഇങ്ങനെ വേര്‍തിരിവ് കാണിക്കുന്നതിന് ,വയസാകുമ്പോള്‍ നിങ്ങളെ നോക്കാന്‍ ഞാന്‍ മാത്രമേ കാണു എന്നു ,അന്ന് അമ്മ പറഞ്ഞത് അങ്ങനെ നിന്റെ കയ്യില്‍ നിന്നും എന്തെങ്കിലും വാങ്ങി കഴിച്ചു ജീവിക്കേണ്ടി വരുന്നതില്‍ ഭേദം തൂങ്ങി ചാകുന്നതാണെന്ന് ,ഇന്നും ആ വാക്കുകള്‍ എന്നെ വേദനിപ്പിക്കുന്നു ,അമ്മ ഇപ്പോള്‍ ഇതൊക്കെ മറന്നു കാണും,ചെറിയ പ്രായത്തിലെ ഇഇതരം അനുഭവങ്ങള്‍  കൊണ്ടാകാം അമ്മയെ സ്നേഹിക്കാന്‍ എനിക്കാകാത്തത്, ഇന്ന് വല്ലപോലും അച്ഛന്‍ പുറത്തു പോകുന്ന സമയം നോക്കി എന്നെ തേടി വരുന്ന അമ്മയുടെ ഫോണ്‍ വിളികളില്‍ നിന്നും ,അമ്മമാര്‍ക്ക് ഒരിക്കലും മക്കളെ നിശേഷം തള്ളികളയാന്‍ പറ്റില്ല എന്നു ഞാന്‍ മനസിലാക്കുന്നു.

 (ഇനിയും എഴുതാനുണ്ട്,,വേറൊരിക്കല്‍ ബാക്കി എഴുതാം)